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Maarten Tonneyck
Born in 1954 in Amsterdam, Maarten Tonneyck grew up immersed in the city’s flourishing arts scene, which influenced his early pursuits in musical composition, theater performance, and visual arts. He studied at the State Academy of Fine Arts (Rijksakademie van Beeldende Kunsten), a prestigious university-level institution with connections to renowned artists like Piet Mondrian and ties to the international Impressionist movement.
Crab Tree III
Oil on Canvas / 40″ x 40″
My Friend
Oil on Canvas / 30″ x 24″
This online exhibition invites viewers into the painted worlds of Unjin Moon Jenkins, where portraits, landscapes, and equestrian studies unfold in dialogue between realism and abstraction. From the hush of winter streams to the surge of a horse race, her works capture fleeting moments and transform them into timeless meditations on beauty, memory, and motion.
Richard Rohr’s Falling Upward is a book that speaks to those who sense a hollowness in outward success, whose carefully constructed identities or personas no longer hold the same weight or function as they once did. Rohr offers a language for thinking and talking about this transition, which becomes a descent into a spiritual depth that embraces paradox and uncertainty over self-determined linear progress and achievement in the world. In contrast,
Mark Twain’s “What is Man?“ presents a provocative argument that humans are fundamentally machines, driven by exterior influences and an inborn temperament. This idea completely negates traditional notions of free will and personal merit. According to the Old Man, all human actions, thoughts, and qualities, from intelligence to virtue, originate from outside and are “born in him.” For Twain, man creates nothing and earns no credit for his attributes or deeds. The sole impulse guiding every human act is the “imperious necessity of securing his own approval,” or “contenting his own spirit,” even though they may imagine they are self-sacrificing. The “Interior Master,” or “Conscience,” is a “blind, unreasoning instinct” that prioritizes its own contentment and makes all beneficence, patriotism, or even mother-love ultimately a means to self-satisfaction and not a selfless act. Therefore, all glory, praise, and applause belong “to God,” the “Maker” of this intricate human machine. In this way, humans are left without any “personal dignity” or “personal merit.” Even so, Twain does not leave humanity in this position of despair. But to know what his final recommendation is, one must read the essay.
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